tree tops

If I were God, or a giant,
I would, primarily,
brush the palm
of my large right hand
against the bristly brush
of the lizard green
tree tops.

march.

skirt

Fluttering, ballooning, brushing, blooming -
whispering kisses over bare skin
like parched leafy appendages tossed in the wind
or flowering bushes fragrant and looming



I love

shade and light
squinted eyes

kissing.

Two older poems, never before published!

1.

Can I kiss you? You ask.

I’ve been waiting twenty

Years for the question

And four weeks for

Your guts to muster

Some courage

We lean left; less than

5% of the population does

And your lips with

That irresistible freckle

Move, along with two

Sky-colored eyes, toward

My face.

And I wanted it and

I wanted you.

We holds hands like a

Kiss already, restlessly

Intertwining with tickling

Rub of thumbs

I did not quite expect

That softness of

Saliva and skin and

I needed to practice

So we

Tried again

2.

I like breathing in spiced chai

And pondering the photographs

In a national geographic

Published last December

I like sitting next to you on

Andrea’s bed, dorm loveseats, that worn

Leather couch at All Saints,

Diner booths

I like the green of grass splattered

In patchy afternoon sun

That reminds me to

Live, and thrive

I like the delicate softness of your

One-freckled lips as they whisper

Thankfulness and joy in an hour’s

Worth of kisses.

these are my days

(Trying my hand at intentional enjambment)

These are my days

Opening my eyes to yours

Closed. Or to empty space when you’ve

Already gone 

To class, on the bus

Heaving fatigue, checking my phone.

Filing through facts, sifting

Responses, hearing my bright voice

Answer, leaving

Sun glare wind on skin.

Extending my long arm

To the heavy library

Doors, and voicing “hello

How are you” to that man I don’t

Know But speak

With every single day

without fault

Then bluntly and skillfully clacking

Scrap-smudged borrowed keyboards.

Blogging, analyzing, socializing,

Jeapordizing my joy

On a beautiful day,

I sit alone and read

Poetry and leaves

Of grass on the green.

And I leave.

On a bus,

Home to you.

Give me 18.

There may be a few blatant cliches in my poem below. In fact, it reminds me of a Taylor Swift song. However, I have always felt a sort of desperate nostalgia associated with my freshman year of college. Regardless of how many great moments I've had since then, I feel that it will always carry a strange magic.

Give me 18, give me

recklessness and ignorance.

Late nights, bike rides, 

the last summer - 

or the first -

of freedom.

Relationships starting, or

ending

too late. 

Self-assured and unhindered.

New friends, jumping

in fountains and

climbing on roofs.

Breathing deeply, too greedy,

not realizing it'd be gone too soon.

First we live for 21 then

for marriage

and conception.

Why? We push

towards adulthood

then towards middle age.

Full time, no time.

As if the air where

we dwell

is too thin. 

What do we give up to

lead our quiet lives whispering

Entrapment?

Give me 18

Too many friends to hold onto

for long, too many

days awake and

Swimming with bird song, with

A Universe hum.

I was alotted my time

but it's gone.

annie dillard = bosom friend

I am very disappointed to see so many negative reviews for "Pilgrim at Tinker Creek" on amazon. I think the fractured radiance mentality is either possessed entirely by the individual or not at all. Although I feel that the way I view the world sets me up for occasionally too dramatic emotional reflection, I am happy to have been granted the gift to look at the world as Dillard does. Below is the conclusion to the "Pilgrim at Tinker Creek" essay I wrote for class. I named it, "Fractured Radiance."

For Annie Dillard, beauty is everywhere. It is war and peace, life and death, winter and summer. Rather than take the stance that cruelty is necessary as a means of recognizing glory or that splendor is other-worldly, spotless, even divine, she insists on their messy intermingling. She encourages us to ground ourselves in reality, to realize that we may not change the nature of the world, but we must still live in it. This is her doctrine and beauty is her God. In Dillard’s words, we are “not held aloft on a cloud in the air but bumbling pitted and scarred and broken through a frayed and beautiful land” (230). And if we are falling, she says, “at least [we] can twirl” (273). The earth holds mysteries and moments of revelation. Beauty is attained when the heavy curtain between shadow and light is torn asunder, when the burning sun bursts forth, when we may at last see “the tree with the lights in it” (Matthew 27:51; Dillard 36).

categories.

Categories are useful for making sense of the world. They make information approachable. The problem is that they're constructs. They don't define human thought patterns or tell us how people truly process stimuli. Humans invented a mode of rational thought, the scientific method, and systems of logic, but these mechanisms are precisely that. The human is not solely a machine; we may understand ourselves through technological metaphors, but these only help us make sense of parts of ourselves. At the end of the day, humans are raw and organic. We search for meaning. In everything. We hope for an "aha!" moment, for a time when we will be launched into existential awareness of our being and being in general, or of God. Modern atheism purports that this age of Reason makes it nonsensical, therefore unthinkable, to believe in a metaphysical, supernatural, or all-encompassing Spirit. But we still believe! Why do we still believe? There must be something in our nature that seeks out and responds to the immaterial. I don't think the argument, "That's not rational," holds any weight. We are not rational beings. We do not make decisions based on logic. We make them based on gut feelings, emotional responses tangled up with past experience. I no longer wish to place my personality into categories. I am not a scholar, an artist, a fashionista, a Christian, a spouse, a woman, a daughter, or a friend. I am a human being and many things comprise who I am. I am not required to explain myself categorically because I do not communicate with Computers. Are we losing something profound to our existence - our past, present, and future - when we yearn to become machines at the cost of losing our muddied, hysterical, mysterious humanity?